We are thrilled that Hadley Holliday‘s 2012 painting Strange Radiance is one of four pieces selected to represent the Culver City Arts District. Look out for the vibrant banners next time you’re walking or driving along Washington Blvd. And if you are interested in seeing the original artwork, send us an email and we’ll schedule an appointment. We would love to see you.
The exterior of the LivingHome C6 at Dwell on Design Los Angeles
Designers and art admirers filled the Los Angeles Convention Center for Dwell On Design June 21-23, 2013, where Taylor De Cordoba selected eight pieces of artwork in the LivingHomes display. TDC worked with DISC Interiors on the LivingHomes display for America’s largest design convention.
The weekend-long convention featured modern design with a twist–interior design that is livable and welcoming. DISC Interiors incorporated TDC artwork into the eco-friendly, prefabricated LivingHome. LivingHome C6 and DISC Interiors merged beauty and safety through art and technology, respectively, to provide a practical living space.
LivingHome C6 opened with a modest patio section, complete with white outdoor furniture and shrubbery, and extended into the living room section beyond a tall glass door.
Hadley Holliday’s Spin Drift hung on the main wall behind two complimentary blue chairs and framed by two table lamps, which provided bold lighting onto the artwork.
A hallway to the left led to a room decorated as an office, where Danielle Nelson Mourning’s Untitled rested just above a plush olive green loveseat.
The master bedroom, second bedroom and bathroom were on the opposite end of the home, to the right of the front door. The kitchen, which is not pictured here, is also within this area.
One of the bedrooms, styled as a fashionable, contemporary nursery, supported Frohawk Two Feathers’s piece, I Get The Paper So I Don’t Care, above the wooden oval crib. . .
. . . and two pieces by Simone Shubuck stacked on the opposite wall next to a built in, two-door closet (Dotty on the top and Steath Grandma Speak on the bottom).
Mourning’s Bimbos was located in the master bedroom above a mahogany dresser and directly next to the master bathroom. . .
. . . where Wander Weep by Kyle Field was displayed.
LivingHome C6 is a three bedroom, two bathroom home. The model includes energy efficient and sustainable materials into their prefab homes. Please visit their website for more information regarding visiting and purchasing their prefab homes.
Krista Schrock and David John Dick are the creative minds behind DISC Interiors, who thrive to bring warmth and personality into a modern home. Visit their website to view their portfolio.
We are pleased to announce that gallery artist Hadley Holliday is part of a one day only group show in the flower district of downtown LA.
Hope you can make it!
Sunday, July 7th 2013 *ONLY!
1-4pm
734 San Julian St. 2ND FLOOR
Los Angles, CA. 90014
Taylor De Cordoba is pleased to participate in Dwell on Design, where the gallery has curated a selection of artwork for temporary display in LivingHomes. The piece above, Danielle Mourning‘s Bimbos, is one of the eight pieces.
Featured artists include Hadley Holliday, Kyle Field, Frohawk Two Feathers, and Simone Shubuck.
Los Angeles Convention Center
1201 S Figueroa St.
Los Angeles, CA 90015
June 21-23, 2013
10:00 a.m. – 6:00 p.m.
We are pleased to announce gallery artists Charlene Liu is featured in
The 1st International Printmaking Exhibition
Kyoto City International Exchange Hall 2F
Sister-City exhibition Room
2-1 Torrii cho Awataguchi
Sakyou-Ku, Kyoto 606-8536
Tel: 075-752-1187
June 18-23, 2013
Gallery hours: 9am-6pm
FUREAI Hall Gallery, NHK Broadcasting Center
2-2-1 Jin-nan Shibuya-Ku Tokyo 150-8001
Tel: 03-3481-5614
June 25-30
Gallery hours: 9am-6pm
Curated by woodcut artist, poet and Zen priest Hajime Maboroshi.
Kyle Field: Wide Daylight
June 8, 2013 – July 27, 2013
Opening Reception: Saturday June 8, 6-8PM
Taylor De Cordoba is pleased to present Wide Daylight, a solo exhibition of new work by artist and musician, Kyle Field. The exhibit will run from June 8 – July 27, 2013. The gallery will host a reception for the artist on Saturday, June 8 from 6-8PM.
For this exhibition, Field presents whimsical paintings and drawings that closely relate to Little Wings, the artist’s music project. Specifically, Field is thinking about his most recent album, entitled LAST. Choosing this title is emblematic of the artist’s penchant for word play, which drives both his visual and musical arts. Is it the “last” album or an album that “lasts”? His new drawings (which include original posters and album covers) are ambiguous and dreamlike, infused with poetic phrases that suggest a visceral idea yet lack any specificity.
Field’s whimsical scenes are inspired primarily by the abstraction of myth peppered with references to the here and now. A face will appear innocent and childlike yet also stained with the wisdom of age. In one piece, five distorted figures are frolicking (dancing?) underneath a banner that reads, “Another Vague Greeting.” Field’s process is organic – rather than mapping out a plan, he allows one mark to build upon the next until a scene appears. His palette of deep browns, pinks, teals, and emerald greens floats within a graphic layout of ink, watercolor, colored pencil, collage and even spray paint. To complement the works on paper, Field introduces several new mediums included ceramic hand-painted cups (in collaboration with local ceramicist Rebekah Miles) and a pair of wood burned clogs.
Kyle Field lives and works in Southern California. His work has been exhibited in numerous venues, including Atelier Cardenas Bellanger (Paris, France), Le Confort Moderne (Poitiers, France), The Palais des Beaux-Arts BOZAR, (Brussels, Belgium), Musée Janisch (Switzerland) Cinders Gallery (Brooklyn, NY) and New Image Art (Los Angeles, CA). He has been featured in Artnet, Artinfo.com, New American Paintings and Le Monde. He also performs as a musician under the name Little Wings. He received his BA from UCLA in 1998.
“Though her filigree doodles of deceptively innocent-seeming flora and fauna were a fixture on the downtown gallery scene a decade ago, the artist Simone Shubuck has had only one solo show in the last six years — in 2009, at Corbett vs. Dempsey in Chicago. During that time, she married Adam Rapoport, the editor in chief of Bon Appetit magazine; became a mother; oversaw a protracted apartment renovation; and stepped away from her other career as a floral designer. Though she’s slowed her formerly frenetic output, she has continued to privately hone her technique, integrating abstract forms in pure, vibrant color. “My pace changed dramatically; I had to get to a new place in my life,” she says. “Having different identities brought me to a different place in my work.”
Click HERE to read full article
“Time, in all its various incarnations, permeates the latest body of work from New York-based artist Simone Shubuck. The connections and cleavages of the past and present are at the core of her most recent exhibition of works on paper, “Do You Like Old Things, or New Things That Look Old?”
Click HERE to read full article
Taylor De Cordoba is pleased to participate in the upcoming Pulse New York Contemporary Art Fair. The gallery will be exhibiting photographs by Danielle Nelson Mourning.
Please visit Taylor De Cordoba at Booth I13 in the Impulse section of the fair.
For more information, please email the gallery or call 323-379-4832.
May 9-12, 2013
The Metropolitan Pavilion
125 West 18th Street
Between 6th and 7th Avenues
Chelsea, New York
Show Hours
Thursday, May 9
9am – 12pm Private Preview Brunch (by invitation only)
12pm – 8pm Open to the public
4pm – 8pm Young Collectors Afternoon
Friday, May 10
11am – 8pm Open to the public
Saturday, May 11
11am – 8pm Open to the public
Sunday May 12
11am – 7pm Open to the public
Image: Danielle Nelson Mourning
Pt. Reyes, 2013
Archival pigment print
30 x 40 inches
Edition 1/5
There is an undeniable botanical bent to New York-based Simone Shubuck’s solo show “Do You Like Old Things, Or New Things That Look Old?” at Taylor De Cordoba’s Culver City gallery, from the bouquet-like composition of Believe It, with its gumball spectrum of illustrated paint blobs, to her new Phillip Guston-indebted self-portrait, complete with bloom-shaped thought bubbles. “I work from an unconscious place, and they just seep in,” the artist explains of her fantastical abstracts. It’s no wonder—Shubuck, who has shown at such notable institutions as MoMa, and is collected by the likes of Mario Testino and Amanda Peet—has also been arranging flowers on the side since 1998.
Click HERE to see full article.
