How to Start Collecting Art, by Cathleen Madwick
Oprah Magazine, July 2009
“The Shape Shifter: His Own Land” by Drew Tewksbury
June 17, 2009
Frohawk Two Feathers is a man at the nexus of many truths. On one hand, he’s an alchemist of visual art who turns dull history into golden narratives rich with beautiful subversion. On the other, he’s a performance artist who experiments with music, poetry and alter egos, including the psychedelic sexpot Kent Cyclone. Then there’s Umar Rashid, the mastermind behind it all who percolates the creativity that keeps his many artistic endeavors running…
Mix It Up, by Linlee Allen. April 23, 2009.
West coast bound and in the mood for some tongue-in-cheek artistic bravado? Why not show some support for New York artist Timothy Hull, whose solo show at Taylor De Cordoba in Culver City has provoked a re-emergence of KLF fever by drawing inspiration from the Brit electro act’s smash hit “Justified and Ancient: (What Time is Love?)” The installation comprises graphite drawings, posters, collages, and even a video depicting a masquerade party (filmed whilst sailing along the Nile), and ultimately spearheads the unique blend of of pop mysticism, Egyptian motifs, and ancient mystery. In between snagging the largest Swatch watch collection in North America, the artist found a moment to reflect on the opening that was earlier this month in Los Angeles. “Old friends came, new friends came, strangers and diplomats,” he revealed. “A loose affiliation of billionaires and babies. At one point the gallery smelled like popcorn, and there was a wonderful man in a black beret looking closely at everything, which is always charming.” With the show set to conclude on May 9th, Hull’s next geographic endeavor has already been determined—Greece is the artist’s upcoming destination of choice. Watch out Adonis!
Artwork Timothy Hull
“Justified and Ancient: (What Time Is Love?)” runs through May 9, 2009,
at Taylor De Cordoba, Culver City, CA
Click HERE for more.
Melissa Manfull’s recent exhibition, Tesseracts was featured in The Architect’s Newspaper. Click HERE to read the full text.