KIMBERLY BROOKS: Los Angeles Times Magazine

March 16th, 2010

ROGUES’ GALLERY

Pop stars have fascinated contemporary artists for years—think Andy Warhol, Richard Prince and Elizabeth Peyton. Painter Kimberly Brooks now trains her eye on those who labor to make them popular. The Stylist Project includes portraits of L.A. tastemakers, including (clockwise from top left) celebrity stylist Elizabeth Stewart, Rose Apodaca (co-owner of A+R) and costume designer Janie Bryant (Mad Men). Through April 3. Taylor De Cordoba Gallery, 2660 S. La Cienega Blvd., L.A., 310-559-9156, taylordecordoba.com.

Click HERE to see the full article.

KIMBERLY BROOKS: 944 Magazine

March 9th, 2010


Kimberly Brooks Gets Meta with the Stylist Project.

KIMBERLY BROOKS: The Stylist Project

February 27th, 2010

Kimberly Brooks: The Stylist Project

February 27 – April 3, 2010

Taylor De Cordoba is pleased to present The Stylist Project, a solo exhibition of new oil paintings by Los Angeles-based artist Kimberly Brooks. The exhibition will run from February 27 – April 3. The gallery will host an opening reception for the artist on Saturday, February 27th from 6pm-8pm.

The Stylist Project is the first in a series of portraits of renowned stylists and fashion industry insiders who have styled themselves and posed for the artist. After delving into deeply personal subject matter for her last two exhibitions – “Momʼs Friends” in 2007 and “Technicolor Summer” in 2008 – Brooks shifts her focus outward with this new body of work. Here, she broaches the red-hot themes of fashion, style and those omnisciently responsible for setting the trends.

This exhibition features portraits of LAʼs most influential style-makers including celebrity stylist Rachel Zoe; costume designer and Madonnaʼs personal stylist Arianne Phillips; New York Times stylist Elizabeth Stewart and Mad Men costume designer Janie Bryant, among others. While many of the stylists are unknown to the general public, this work turns the spotlight on them, raising questions about who is really in charge of what wear and how we choose to present ourselves. Brooksʼ paintings portray a dynamic exchange between two artists: the painter and the stylists — both of whom use various props, settings, lighting, fashion and accessories to set the canvasʼ stage.

Kimberly Brooksʼ work has been featured in numerous juried exhibitions organized by curators from the Whitney Museum of American Art and the Museum of Modern Art. Her work has been featured in the Los Angeles Times, Art Ltd., The Huffington Post, Vanity Fair, Elle, C Magazine among other publications.

For additional information and images, please contact Heather Taylor at 310-559-9156 or heather@taylordecordoba.com. Taylor De Cordoba is located at 2660 South La Cienega Blvd., Los Angeles, CA 90034.

KIMBERLY BROOKS: The Los Angeles Times

February 21st, 2010

“Portraits in Style” by Victoria Namkung, Feb. 21, 2010

Fashion stylists once worked behind the scenes, their faceless names relegated to the credit pages of magazines. But lately some have been stepping into the spotlight (hello, Rachel Zoe), gaining recognition for the important role they play when it comes to trends, the red carpet and popular culture.

Artist Kimberly Brooks became so enamored of stylists that she has dedicated an entire exhibition to the trade. “The Stylist Project” opens with a public reception from 6 to 9 p.m. Saturday at Taylor De Cordoba in Culver City, and the fashion world will be watching.

Featuring a dozen portraits of L.A.’s top stylists, costume designers and influential tastemakers, the exhibition includes subjects such as Zoe, Andrea Lieberman, Liz Goldwyn, Cameron Silver and Elizabeth Stewart, who styled themselves for individual photo shoots with Brooks. The artist then spent up to 80 hours creating each painting.

“Painting portraits of live people is a huge responsibility,” Brooks said in a recent interview. “You can’t help but to inhale their energy and the mood, and then you have to translate that on canvas with color and body language”…

Click HERE to see the full article.

The Stylist Project: New Oil Paintings by Kimberly Brooks

February 21st, 2010

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LOS ANGELES, CA
Taylor De Cordoba
2660 S. La Cienega Blvd.
Feb 27 – April 3rd, 2010
Artist Reception:
Sat Feb 27, 6 – 8 PM

SASHA BEZZUBOV+ JESSICA SUCHER: Frieze

February 20th, 2010

Review of Sasha Bezzubov and Jessica Sucher’s recent exhibition, The Searchers, in Frieze Magazine by Christy Lange.

Do you have one of those friends who disappeared to India for a month to find himself? Did he come back with a beard? Does he meditate every morning? Do you believe he’s found spiritual enlightenment, or do you have a nagging feeling that it’s all a bit of phoney baloney? If you’re anything like me, you can’t help wondering how people from the USA or Europe can buy a plane ticket to Mumbai, visit a couple of places that cater to tourists, and come back swearing they’ve ‘experienced’ the culture.

It’s a subject that’s as easy to satirize as it is to romanticize, and it’s this prickly theme that American artists Sasha Bezzubov and Jessica Sucher tackle in their photographic series ‘The Searchers’ (2006). These intimate, unapologetically beautiful photos of Western spiritual tourists in India don’t aim for conceptual objectivity or distance. Instead, they’re drenched in an ethereal, almost otherworldly light. Each of the titles of the five portraits reveals the subject’s home country, so it’s possible to imagine their biographies. Emily (Australia), for instance, wears the local garb of beaded jewellery and an embroidered scarf. I try to read her face for hints that she’s reached another plane of consciousness, but her stare is both penetrating and empty…

Click HERE to read the full text.

FROHAWK TWO FEATHERS in group show at New Image Art

February 10th, 2010

Frohawk Two Feathers debuts a new piece in 2THEWALL, group show at New Image Art. On view through March 2.

FROHAWK TWO FEATHERS in group show at Kinkead Contemporary

February 10th, 2010

A drawing by Frohawk Two Feathers is on display at Kinkead Contemporary for the group show “Fuckheads: Portraiture for the Silicon Enlightenment,” curated by Angela Dufresne. The exhibition will be on view through March 20. More information HERE.

CHRIS NATROP in group show at Marine Salon

February 10th, 2010

Chris Natrop’s work is included in a group exhibition opening at Marine Salon this Saturday, February 13 from 6 to 9pm.

His site-specific installation, “Glitterati Swamp Thing” is a product of his ongoing fixation with the Los Angeles River and consists of water color, iridescent medium, cut paper, sting and gelled fluorescent lighting.

Marine Salon
716 Marine Street
Santa Monica, CA 90405
opening: Saturday, February 13, 2010 from 6-9pm

Visitors are welcome by appointment.

If you would like to attend please RSVP here:
T/F: +1 310 399 0294
rsvp@c-artmarine.com

CHARLENE LIU: If It Were a Slow Echo

November 7th, 2009


Charlene Liu: If It Were A Slow Echo
November 7 – December 19, 2009

Opening Reception: Saturday November 7, 6-8PM

Taylor De Cordoba is proud to present If It Were A Slow Echo, the gallery’s second exhibition of works on paper by Charlene Liu. The exhibition will run from November 7 – December 19, 2009 with an opening reception for the artist on Saturday, November 7th from 6 – 8PM.

In her new works on paper, Charlene Liu continues her interest in the natural landscape, abstracting directly from overlooked and diminutive moments of growth and decay. Many of the works allude to the vanitas of Dutch and Renaissance still-life paintings. The show’s title, If It Were a Slow Echo, recalls the transitory moments of sensory experience and the repetition of motifs that slowly weaves together patterns, lines, and color to the brink of chaotic excess. Combining collaged prints and traditional painting techniques, Liu layers, stains, and composes her paintings; interminably dissolving the transition between figure and ground. It’s an unpredictable and slow reveal with the effect of a quiet, amnesiac sense of disorientation.

In this way Liu’s work rocks back and forth between stasis and activity, order and entropy, becoming and receding. Her color palette operates similarly; in several works on paper, a subdued pastel palette resembles the color of an injury – a bruise or an infection, more than the onslaught of spring. Polka dotted hole punches appear as barnacles or parasites, traversing the picture plane at an exponential rate, bubbling and swelling in tandem with twisted brambles.

Born in Taiwan in 1975, Liu earned her MFA at Columbia University in 2003. Solo exhibitions of her work have been held at Shaheen Modern and Contemporary Art in Cleveland (2008), Taylor De Cordoba in Los Angeles (2007 and 2009), Virgil de Voldère in New York (2006), and Andrea Rosen Gallery, also in New York (2003). Liu is an assistant Professor at the University of Oregon, Eugene.